Chantilly (1976)

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To construct a film in an atomic way, starting from simple elements which combined with each other will produce a whole. Taking the dot as an elementary unit is not a coincidence if we think that the notion of pixels with video images began to occupy people's minds in the 70’s, decades before the arrival of giant led screens. [...] 9, and then 16 screens within one same screen allow an impressive process of simultaneous abstract sequences. The film partition shows a combinatorial process between monochrome colours in the background and pointillist compositions in the foreground. As many sequences as screens; each one is a reflection on abstract images: pointillism, geometrism, "nuagisme" or informal abstraction , are all nods to the history of abstraction in painting: Vassili Kandinsky, Paul Klee, or Augusto Giacometti seem to have been called together within a mondrianesque grid. JMB

Director: Jean-Michel Bouhours, Patrick Delabre